The Lost Heir

Wings of Fire #2: The Lost Heir by Tui T. Sutherland
Scholastic Press - January 1, 2013
336 pages

The lost heir to the SeaWing throne is going home at last...
She can't believe it's finally happening. Tsunami and her fellow dragonets of destiny are journeying under the water to the great SeaWing kingdom. Stolen as an egg from the royal hatchery, Tsunami is eager to meet her future subjects and reunite with her mother, Queen Coral.
But Tsunami's triumphant return doesn't go quite the way she imagined. Queen Coral welcomes her with open wings, but a mysterious assassin has been killing off the queen's heirs for years, and Tsunami may be the next target. The dragonets came to the SeaWings for protection, but this ocean hides secrets, betrayal--and perhaps even death.

Okay, I don't read much middle grade fiction anymore (with the exception of Warriors and Survivors, but I've spent so much time with those cats that I don't expect to give up anytime soon). Young adult and adult fiction? Check, check, check. But I was engrossed by this series due to its being written by one of the Erin Hunters. Plus, it was about dragons.

It's easily better than almost all of the middle grade fiction out there. It doesn't minimize violence or plot because it's written for a younger audience, and all of the characters are believable. While they seemed like somewhat charicatures in book one, that was before I realized that each book would have insight into the world of each dragonet so that you get to understand them and their motives much better. I also love the broken prophecy plot; the prophecy wanted a SkyWing, but they got a RainWing instead, the SandWing has stunted growth and the NightWing doesn't have secret powers.

The underwater kingdom seemed real to me for that setting, which was a big thing for me. Tsunami seems annoying at first, but she grows into her own over the course of the book and becomes a more sympathetic protagonist.

A couple minor gripes: the language didn't seem like what dragons would be saying. I know that they're young, but they probably wouldn't use the same language as human teenagers. Also, the awkward capitalization of dragon names is a little annoying. That's all that I can think of.

Grade: A-

Fire Bringer

Fire Bringer by David Clement-Davies
MacMillan UK - October 8, 1999
498 pages

Young buck Rannock was born on the night his father was murdered and into a herd of deer where hunger for power has gradually whittled away all that is true and good. He knows that he must escape to survive. Chased by stags, with their fearsome antlers sharpened for the kill, he begins a treacherous journey into the unknown, and ahead of him lies a shocking and formidable search for truth and goodwill in the shadow of the Great Mountain.
One day he will have to return to his home and face his destiny among the deer to fulfill the prophecy that has persistently given them hope: that one day a fawn will be born with the mark of an oak leaf on his forehead and that fawn's courage will lead all the deer to freedom. Filled with passion and a darkness that gradually, through Rannoch's courage in the face of adversity, lifts to reveal an overwhelming feeling of light, Fire Bringer is a tremendous, spirited story that takes the reader deep into the hearts and minds of its characters as they fight for their right to live in peace.

I tried to read The Sight by David Clement-Davies about a year and a half ago and I needed to stop. I found this one recently and decided to give it a shot because I thought it must amount to a slimmer version with the bigger font, shorter standing, and slightly fewer pages.

I was pleasantly surprised. Fire Bringer took a lot of cliche elements (a prophecy, a great evil, a suspicious birthmark that lets everyone know that you're The Chosen One), but it didn't seem that horrible to me. It wasn't that amazing either; it was just good. Some of the chapters were misnomers, as what was covered in that chapter was only in the first few pages, but that's only a minor gripe.

One good thing is that Clement-Davies isn't afraid of killing deer off. In most books, you know that nobody is really in danger because the author would never even think of killing them off; George R. R. Martin, Erin Hunter, and now David Clement-Davies will let anyone die who you think just HAS to be safe.

I reiterate: the story reuses many old literature tropes, and though it doesn't turn them on their heads, it isn't bad either. The result is something familiar and bland, but it's better than new and terrible.

Grade: B

Life, the Universe and Everything

Life, the Universe and Everything by Douglas Adams
Pan Books - 1982
160 pages

The unhappy inhabitants of planet Krikkit are sick of looking at the night sky above their heads--so they plan to destroy it. The universe, that is. Now only five individuals stand between the killer robots of Krikkit and their goal of total annihilation.
They are Arthur Dent, a mild-mannered space and time traveler who tries to learn how to fly by throwing himself at the ground and missing; Ford Prefect, his best friend, who decides to go insane to see if he likes it; Slartibartfast, the indomitable vice president of the Campaign for Real Time, who travels in a ship powered by irrational behavior; Zaphod Beeblebrox, the two-headed, three-armed ex-president of the galaxy; and Trillian, the space cadet who is torn between a persistent thunder god and a very depressed Beeblebrox.
How will it all end? Will it end? Only this stalwart crew knows as they try to avert "universal" Armageddon and save life as we know it--and don't know it!

This one is different than the other two. The plot is about Armageddon by the robots of Krikkit from the beginning to end. It ambles in the middle, but ultimately it sticks with one plot the whole way through, which saves a lot of trouble.

The book took me only a couple of days to read, but it makes it difficult to review. Unlike most series that have wild ups and downs (The Last Werewolf trilogy), the Hitchhiker's "trilogy" stays more and more consistent.

Grade: A-

Talulla Rising

Talulla Rising by Glen Duncan
Canongate Books - April 5, 2012
425 pages

(DO NOT READ ANY MORE UNLESS YOU HAVE READ OR DO NOT INTEND TO READ THE LAST WEREWOLF. THIS IS FOR YOUR OWN SAFETY.)

Talulla Demetriou is the last living werewolf. And she is pregnant. Pursued by enemies and racked by the need to kill, she flees to a remote Alaskan hunting lodge to have her child in secret. There, with her infant son in her arms, it looks like the worst is over. Until the door bursts open - and she discovers that the worst is only just beginning...Talulla is plunged into a race against time to save her son. Tormented by guilt and fueled by rage, she is pursued by deadly forces - including (rumor has it) the oldest living vampire on earth. Hopeless odds. Unless, of course, a mother's love for her child turns out to be the deadliest force of all...

This was better than The Last Werewolf. Okay, this was actually way better than The Last Werewolf, but that doesn't take much. It includes none of the main things that I griped about in the previous article; no more sexism, better writing, and only one viewpoint in the entire book.

I love the emergence of the female werewolf that doesn't kill herself after her first kill, because that's a resourceful, brave woman that isn't afraid to take what's hers. Not to mention, she actually has compassion for her fellow humans (or at least some of them), unlike Jake's constant hatred of everyone else that isn't the one female werewolf he happens to come across.

That being said, there's some disturbing stuff in Talulla, and not of the violence variety. In particular is a scene between Talulla and one of her captors, Devaz. I will be scrubbing my brain to rid myself of that entire chapter.

The ending sets it up for a third entry, which will probably focus on (MAJOR SPOILER!)the pack that Talulla has joined(SPOILER END). So we'll see how it goes in that one, because Jake's story was bad and Talulla's good.

Grade: B+

Lexicon

Lexicon by Max Barry
Penguin - June 18, 2013
390 pages

At an exclusive school somewhere outside of Arlington, Virginia, students aren't taught history, geography, or mathematics--at least not in the usual ways. Instead, they are taught to persuade. Here the art of coercion has been raised to a science .Students harness the hidden power of language to manipulate the mind and learn to break down individuals by psychographic markers in order to take control of their thoughts. The very best will graduate as "poets" adept wielders of language who belong to a nameless organization that is as influential as it is secretive.
Whip-smart orphan Emily Ruff is making a living running a three-card Monte game on the streets of San Francisco when she attracts the attention of the organization's recruiters. She is flown across the country for the school's strange and rigorous entrance exams, where, once admitted, she will be taught the fundamentals of persuasion by Bronte, Eliot, and Lowell--who have adopted the names of famous poets to conceal their true identities. For in the organization, nothing is more dangerous than revealing who you are: Poets must never expose their feelings lest they be manipulated. Emily becomes the school's most talented prodigy until she makes a catastrophic mistake: She falls in love.
Meanwhile, a seemingly innocent man named Wil Jamieson is brutally ambushed by two strange men in an airport bathroom. Although he has no recollection of anything they claim he's done, it turns out Wil is the key to a secret war between rival factions of poets and is quickly caught in their increasingly deadly crossfire. Pursued relentlessly by people with powers he can barely comprehend and protected by the very man who first attacked him, Wil discovers that everything he thought he knew about his past was fiction. In order to survive, must journey to the toxically decimated town of Broken Hill, Australia, to discover who he is and why an entire town was blown off the map.
As the two narratives converge, the shocking work of the poets is fully revealed, the body count rises, and the world crashes toward a Tower of Babel event which would leave all language meaningless. Max Barry's most spellbinding and ambitious novel yet, Lexicon is a brilliant thriller that explores language, power, identity, and our capacity to love--whatever the cost.

And the answer is no, I couldn't have shortened that anymore, so I'll write a short review. This was a good book.

Okay, not that short. I'm not a big fan of mystery/thriller/suspense books, but this one was fun. You had to focus a lot on it and keep looking back to make sure you knew what was going on, but it turned out to be great. The Emily story begins several years before the Wil one, if it takes you a while to figure that one out, by the way.

The one thing that I didn't like was that Kathleen Raine was made out to be working with Virginia Woolf at the beginning of the story, but it turns out that she has pretty much nothing to do with it. I think maybe an editor should've caught that.

And while this was a good book, it's not something I'm going to be recommending to people like crazy because it didn't feel like a "me" book. I certainly enjoyed it while it was happening, but it's not something that I would go crazy over if it was made into a movie (which is good, because I think it's pretty much unfilmable without giving away all the secrets).

Grade: A-

The Shining Girls

The Shining Girls by Lauren Beukes
Random House Struik - 15 April 2013
375 pages

THE GIRL WHO WOULDN'T DIE HUNTS THE KILLER WHO SHOULDN'T EXIST.
Harper Curtis is a killer who stepped out of the past. Kirby Mazrachi is the girl who was never meant to have a future.
Kirby is the last shining girl, one of the bright young women burning with potential whose lives Harper is destined to snuff out after he stumbles upon a House in Depression-era Chicago that opens on to other times.
At the urging of the House, Harper inserts himself into the lives of the shining girls, waiting for the perfect moment to strike. He's the ultimate hunter, vanishing into another time after each murder, untraceable--until one of his victims survives.
Determined to bring her would-be killer to justice, Kirby joins the Chicago Sun-Times to work with the ex-homicide reporter, Dan Velasquez, who covers her case. Soon Kirby finds herself closing in on the impossible truth...

Define "soon".

Because if you mean the first 84.4% of the book, then you're sorely mistaken. That part of the book is Harper killing various girls who only get one chapter, Kirby talking to murder victims' families and supposed killers trying to figure something out, and Dan getting a huge, overly creepy crush on Kirby. And yes, I actually did the math to figure out that 84.5% through the book is when Kirby finally figures out that Harper comes from the future. After that, everything wraps itself up in a pretty little ribbon all at the end, just like Where'd You Go, Bernadette.

Most of the book was spent either with one-shot chapters in the point of view of one of Harper's victims or of Harper OR Kirby doing God knows what about serial killer nonsense. Did I repeat that? Not exactly, with a few different words? I'm sorry, I guess I'm like Beukes and have to show you the same thing over and over with a couple of variations.

The characters were all one-dimensional things that didn't really seem to have any life. I've seen boxes of cereal that were less cardboard than Harper, Kirby, and everyone else.

Maybe I kept reading this book because I thought that something would happen, or maybe because the chapters were so short I thought that maybe I could just read a few and then stop. Or maybe I just wanted to prove I could slog through this book. No matter what, I was a fool.

Grade: F

Red Moon

Red Moon by Benjamin Percy
Grand Central Publishing - May 7, 2013
533 pages

They live among us.
They are our neighbors, our mothers, our lovers.
They change.
When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is. Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off of it, the only passenger alive, a hero. Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy. So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge...and the battle for humanity will begin.

(Spoiler level: MAJOR!!!)

I really hope they're making a sequel to this.

Not because I liked it.

Because there was no...freaking...ENDING!!!

You know how in the end of Inception, Leonardo DiCaprio spins the top and it cuts out before it lands so you don't know whether he's dreaming or not and you can make that up for yourself and it's open-ended, but in a cool way?

Not this. Not this at all. Instead it leaves all of its characters stranded. Patrick got bitten, but he's given a vaccine that will "help" him, but I'm pretty sure that the shot is supposed to prevent you from getting infected before you're bitten, and once you're bitten there's nothing you can do about it. The president is limping around in the forest with a bloody foot, and Miriam is slinking around in the woods with people after her and...GRR!!!

I'm also pretty sure that Buffalo died three times, and then the same grammar mistake happens again and again of putting an object pronoun after an incomplete comparison (e.g. "more than him" when it should be "more than he".)

Ugh. It was some fun in the beginning, but it was too long not to have an ending.

Grade: D